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Composition (1921) by Piet Mondrian EMELIEmaria Its visual language traces back

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Description

Its visual language traces back to Japanese graphic traditions and carries that heritage into a contemporary frame

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Composition (1921) by Piet Mondrian EMELIEmaria Its visual language traces backComposition (1921) stands as one of Mondrian's most resolved statements of Neoplasticism. The canvas is divided by a network of black horizontal and vertical lines into asymmetric rectangular fields, a handful of which are filled with red, blue, or yellow primary colours held in precise tension by the surrounding white and black. There is no hierarchy, no centre of gravity in the conventional sense: the composition generates balance through opposition

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