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most intentional
The two prints work as a considered pair but each holds its own character entirely
true to the original shin-hanga composition
the sense that something important is about to happen in that room
Colour fields remain solid and true
Lousiana III by Florent Bodart Painting-Modern most intentionalIn the third image of the Louisiana sequence, Bodart locates a stillness that is almost contemplative. The frame opens onto a moment where structural geometry and natural surroundings reach equilibrium a corridor, a canopy, or an outdoor passage caught between interior shelter and open Scandinavian sky. Light arrives obliquely, describing surfaces without overexposing them, holding the photograph in a state of suspended clarity. The series has been