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producing a Japandi-inflected image that feels both contemporary and timeless
warm whites
This striking early 20th-century zoological garden poster depicts a baboon with the bold
demonstrating that Klimt's decorative instinct was equally at home in the natural world as in the studio
It shows his wife Suzanne
Merz 3 Kurt Schwitters 6 Lithos Pl7 by Kurt Schwitters Edward Hopper producing a Japandi-inflected image thatPlate 7 closes the Merz 3 lithograph series with a composition of considered restraint angular forms hold against soft ground, and the interplay of positive and negative space gives the work an open, almost meditative quality. Where earlier plates in the series lean toward visual density, Pl7 breathes. It is a fitting end to a portfolio that mapped the full range of Schwitters' graphic imagination, from accumulation to economy, within the Merz
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