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but not passive
The upright format and centred figure command attention
its plumage depicted with careful gradation of color and form
and quietly celebratory
suspended quality that feels distinct from the urgency of Mucha's commercial poster work
Sekishozan Shizhongshan - 1940 by Hiroshi Yoshida Bauhaus but not passiveSekishozan Shizhongshan 1940 captures a Chinese mountain scene from Yoshida's late career travels, where towering limestone peaks rise dramatically from low mist and river water. The composition is structured vertically, the cliffs almost filling the frame, their sheer faces rendered in layered tones of grey, blue, and green. Yoshida merges the drama of the subject with his characteristically measured sense of atmosphere the mist softens scale and
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