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This is the only known recording of Albert King and Stevie Ray Vaughan performing together - the greatest blues summit of all time
as he proved on two classic unaccompanied recitals for Riverside
Linda Lyndell : "Here I Am"
Driven by the anthemic
Lee Sain: Ain’t Nobody Like Me Baby
Graveyard Blues (CD) Willie Colón This is the only knownDetails Much of Hooker's best loved work was recorded for independent Chicago labels like Vee Jay in the '50s and '60s, but the bluesman's long, prolific career began in the late '40s in Detroit. During that time, as chronicled on Graveyard Blues, Hooker refined the doomy, foot stomping boogie style that would become his trademark. The Hooker of '49 '50 sounds less tormented, lacking the existential edge of his later recordings. Instead, there's a
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